Monday 25 June 2018

Ring Box part 1

Between the sign and the cake stand, and now this, my projects seem to be very wedding-focused of late.

Originally this ring box was going to be a project for the same wedding as the other two, but unfortunately due to various circumstances, it didn't materialise in time for the big day.

So when my brother got engaged recently, I gave him the designs I'd already sketched up and he picked this one for me to build for him.

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The woodworking component of this is pretty straightforward.

The wood I used is oak for the main body, and a darker hardwood (of the well-known species 'offcuttus miscellanei') for the sides, to provide a nice aesthetic contrast.

I was referencing an existing ring box for scale,
and purely by coincidence, the wood sections
I was using were a spot-on size.


Because of the small scale of the box, it's difficult to do any advanced joinery, so the pieces are simply glued, but the wood is light enough and small enough that the joints are still sufficiently strong.

Once all the glue-up is complete, it's off for some sanding to ensure everything's cleaned and squared up, leaving us with a sealed hollow cube.








With that done, the cube needs to be cut. Typically, it seems, most ring boxes are about 50-50 (half the height in the lid, half in the base). However, I've opted for a 25-75 split, leaving a larger base, as the plan is to include a small LED light, and I'll need space for batteries and wiring.

I took the hinge from the existing ring box I was using for reference. To fit it, I drilled out a small cavity in the back of the box for it. As the wood is only about a quarter inch thick, this was the most nerve-wracking part of the whole project.
Once I got it fitted, I sanded off the top of the base-back and the lid, so that their edges didn't collide when opening.

When satisfied with the opening mechanism, I epoxied the hinge in place.

Then the rest of the exterior is just a case of shaping with the sander and a coat of danish oil to finish.

Then onto the interior...



Tuesday 5 June 2018

Stitching Pony for Leatherwork

One of the great parts of being a multi-disciplinary maker is the ability to use skills from one discipline, e.g. woodworking, to help out with a project that uses another (e.g. leatherwork).

A "Stitching Pony" is a leatherworking tool used to hold leather securely, freeing up both hands for doing the actual stitching. In woodworking parlance, it's comparable to a vise or a clamp.

The construction is a flat base, with one fixed jaw extending vertically, and the second jaw being connected to the base with a hinge, so that it may open and close.



To control the movement of the jaw, a bolt extends through both jaws, and is controlled by a wing-nut, and a spring situated between the two jaws serves to maintain a bit of tension and avoid the movable jaw becoming floppy or loose.






To protect the leather being clamped from indentations, the jaws themselves are covered with some leather offcuts, which were simply attached with contact cement. Brass tacks were used to hold the leather in place while the glue dried (and help to add to the aesthetic of the piece).

The jaws of the clamp.
The bookend woodgrain was a fortunate coincidence

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