Sunday, 12 March 2017

Farcry-inspired Leather Notebook part 2

In my last post, I started making a leather notebook inspired by Farcry. For the first part of this build, click here.


Paper
I opted to use a mix of papers in the notebook, so it could be useful in multiple situations - I included lined, plain, squared, and sketch (plain, thicker stock paper).





Pen Loop
I wanted to get some practice using hardware with the leather, so I used a scrap of leather of approx 1 inch width, wrapped it around a pen for size, and trimmed it to create a pen loop, which I fixed to the left of the notebooks cover flap, so it would sit in the fold opposite the spine, which will help balance out the overall thickness of the notebook (to help achieve the stated aim of keeping it pocket-size).

The Cover

I shaped the cover with a curve, and added an eyelet hole. This is to thread a leather lace to act as a closure for the book.

The lace itself, was literally a leather shoe lace - I had to cut it short, and slice it lengthways to fit the eyelet.


The Farcry journal had a small metal charm-type item on the end of the lace, which serves as kind of latch mechanism, as well as having it's aesthetic appeal.

I didn't have anything particularly symbolic or meaningful, but I did have a small hollow metal die that came from a Christmas cracker, and a metal hook. I filled the hollow die with contact cement and screwed in the hook, giving it time to set, then tied that into the other end of the lace.



The finished notebook

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Despite the caption, I think this project will be one I never really consider 'finished'. There are plenty of things I would change if I re-did the project, but given that this is my first attempt at making something with leather, I'm very pleased with how it's turned out. I'll definitely be keeping leather work in my repertoire.


I envision that as a project book, it will be modified and tinkered with as I learn new things and will be a bit of a 'test bed' - two things that immediately spring to mind is the finishing of the materials' edges, and embossing a logo or emblem into the cover.



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